Today is my thirtieth birthday. I consider myself something of a late bloomer when it comes to dedicated movie-watching; I’ve always liked cinema, but only in the past eight or nine years (and especially since graduating from college) have I truly expanded my palate. My previous six annual long-term viewing projects covered a wide variety of important and entertaining pockets of film history. But each of them had the whiff of a film class syllabus. I thought I’d open my fourth decade of life with a different approach, an act of personal excavation. I was born on a Tuesday afternoon in a suburb of St. Louis, and I thought it would be fun to explore all the movies that my very young eyes might have seen during the following weekend.
Excluding porn (hi, Mom!), a total of forty-six movies played in the forty-four cinemas of the Greater St. Louis metropolitan area on Thanksgiving Day, November 26, 1987; Friday, November 27; Saturday, November 28; and Sunday, November 29. The combined running time of these films is a little more than seventy-six hours, so, without accounting for geography or other physical necessities, it would have been possible to watch all of them during those four days. However, I suspect the thought never crossed my parents’ minds, and I wasn’t quite ready at the time to make such a lavish suggestion. In any case, there’s no need to rush now either. I’ll be taking a month and a half to get through them all.
Here’s what the movie selection looked like for a sizable population center in Middle America at this random slice of time: thirteen of the Top 40 box office hits of the year and two of the eventual five Best Picture nominees at the Oscars. One movie, Fatal Attraction, is in both of those categories, so that’s fourteen out of forty-six. The rest are an odd assortment of several well-remembered films and a whole bunch that most people have probably forgotten — movies that I could easily go my whole life without seeing. There’s one non-English-language film, as well as one apiece from Canada, England and Australia. Tastes and economic realities were different three decades ago, naturally, and one thing that stands out is the preponderance of comedies. The proximity to Halloween likely accounts for the presence of several horror-comedies, and there’s a great deal of fun and frivolity to be found throughout the selection. But these theaters did have at least one decent option for almost everyone: action movies, romances, fantasies, thrillers, prestige dramas.
In addition to the new releases and those international films that were finally making their way to my neighborhood, there were a few older movies playing in theaters at the time. Disney’s animated Cinderella made another return to theaters, one of many Disney classics to get that treatment before home video made the practice obsolete (Snow White and the Seven Dwarfs had padded its box office stats earlier that summer). Therefore, this is the first time I’ve double-dipped with a movie retrospective, but Cinderella is always a pleasure to revisit. Also, that weekend, like so many others, boasted a couple midnight showings of The Rocky Horror Picture Show, a tradition that stretched back more than a decade by that point. Although the theater at which it played, the Varsity in St. Louis, would be out of business by the beginning of the next year, another theater down the street, the Tivoli, would eventually pick up the slack. Finally and confusingly, Care Bears Movie II: A New Generation (1986) played for this weekend and this weekend only (lucky me!) at the Plaza Twin Cinema in Cahokia, Illinois. The third Care Bears movie had come out in August of 1987, but after it left theaters, apparently there was some (but not much) demand for a replay of its predecessor. I carefully checked all the relevant listings to make sure this wasn’t a typo, because these things matter to me.
The second Care Bears movie is one of four sequels that played that weekend. I did my due diligence and caught up with all the preceding movies during these last few months. All told, I’ll be watching forty movies that I’ve never seen before. As with previous movie retrospectives, I’ll begin this project in January. This of course means that I’ve allowed a great number of thirtieth anniversaries to pass me by (The Running Man, a science-fiction story that begins in the year 2017, has been the most difficult one to wait for), but that was always the way my schedule was going to work. As it happens, I will catch one movie pretty close to its own thirtieth birthday: Patti Rocks, which showed as a “sneak preview” before its official release in January 1988. The whole list of films, which I will be watching alphabetically, is below.
L’année des méduses (Year of the Jellyfish) — Christopher Frank
Baby Boom — Charles Shyer
La Bamba — Luis Valdez
Care Bears Movie II: A New Generation — Dale Schott
Cinderella — Clyde Geronimi, Wilfred Jackson & Hamilton Luske
Date with an Angel — Tom McLoughlin
Death Wish 4: The Crackdown — J. Lee Thompson
Dirty Dancing — Emile Ardolino
Disorderlies — Michael Schultz
Dogs in Space — Richard Lowenstein
Fatal Attraction — Adrian Lyne
Fatal Beauty — Tom Holland
Flowers in the Attic — Jeffrey Bloom
Hello Again — Frank Perry
The Hidden — Jack Sholder
Hiding Out — Bob Giraldi
Hope and Glory — John Boorman
I’ve Heard the Mermaids Singing — Patricia Rozema
Less Than Zero — Marek Kanievska
Like Father Like Son — Rod Daniel
The Lost Boys — Joel Schumacher
Made in Heaven — Alan Rudolph
Maid to Order — Amy Holden Jones
Masters of the Universe — Gary Goddard
Near Dark — Kathryn Bigelow
No Way Out — Roger Donaldson
Nuts — Martin Ritt
Patti Rocks — David Burton Morris
The Pick-up Artist — James Toback
Planes, Trains and Automobiles — John Huston
Prince of Darkness — John Carpenter
The Princess Bride — Rob Reiner
Revenge of the Nerds II: Nerds in Paradise — Joe Roth
RoboCop — Paul Verhoeven
The Rocky Horror Picture Show — Jim Sharman
The Running Man — Paul Michael Glaser
Russkies — Rick Rosenthal
Sign ‘O’ the Times — Prince
Someone to Watch Over Me — Ridley Scott
Stakeout — John Badham
Street Trash — James M. Muro
Surrender — Jerry Belson
Suspect — Peter Yates
Teen Wolf Too — Christopher Leitch
Three Men and a Baby — Leonard Nimoy
Zombie High — Ron Link
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