
Sawdust and Tinsel
The Distracted Boyfriend meme is nowhere more applicable than in the life of a cinephile. Whatever movie I plan on seeing next, the thought will always occur to me before I sit down to start it (and sometimes while it’s playing), “Oh, and I also need to see this, and this, and this!” Ironically enough, the fact that the coronavirus crisis has eliminated theatrical viewing as an option has only made the problem worse. Before, a typical weekend would see me heading to the theater to choose from a few (likely mediocre) new releases. Now, I can use that same time to consider the full range of home viewing options encompassing the entire history of world cinema. My odd tendency over the last few years of working mostly in reverse chronological order has meant that Golden Age and silent movies are the most frequent examples of the “offended girlfriend” part of the meme. On top of that, my main project throughout the year 2019 was to watch as many movies from the 2010s as I possibly could, with the production of this video in mind. But did I leave that decade behind when the calendar turned to 2020? No! My head was turned by several previously unreleased films, spurring me to make yet another video. Now am I done? For the moment, at least.
Over the past year, I’ve added more than a hundred movies to my all-time favorites list, crushing the previous year’s record of 87. I’ve also somehow found more time for watching movies during that span, so I don’t think I’m loosening my standards, though it’s possible I’m learning to appreciate more things. That would be the hope, wouldn’t it? Along with beefing up my experience with the cinema of the 2010s, I spent 2019 dipping my toe into Bollywood and the Romanian New Wave, so I can at least say that I’m not entirely unfamiliar with them. MUBI offered a series on the films of Jean-Marie Straub and Danièle Huillet, putting me now in the embarrassingly normie position of only loving the Bach one. I also did a little picking at my DVD/Blu-ray collection, including seeing all of the Marlene Dietrich-Josef von Sternberg collaborations and several Theo Angelopoulos films.

Dil Se..
Then came the new year and the new decade, both of which I rang in by unveiling my little video collage to a surprised and, inasmuch as anyone said anything, delighted world. Pretty much simultaneously, I started a chronological journey through all the cinematic adaptations of Hamlet I could get my hands on. Since then, the viewing schedule has been perhaps more scattershot than ever. I’ve marked the centenary of Fellini’s birth by watching one of his movies every week since February, and I will have seen his entire filmography about a month from now, at which time I will attempt to write about it. There were a few older Oscar movies in February, and a few Adam Sandler movies that can be found on Netflix (though not his “Netflix movies,” to be clear). Speaking of the Oscars, the triumph of Bong Joon-ho’s Parasite was an ecstatic moment. It was like the home team winning a championship. Not since Return of the King had my favorite movie of the year taken Best Picture, and back then I hadn’t seen most of the movies in contention, so this was unique. (I hope it stays that way, too. You’re not cool if all your favorite movies are Oscar movies.) Finally, when the shutdowns started in March I opened my wallet to take in some “virtual cinema,” watching some stragglers from 2019 like Vitalina Varela and Zombi Child and supporting independent theaters at the same time. On the other hand, I did not open my wallet for 2020 movies released in the same way, so I haven’t seen Trolls World Tour and such. In fact, I’ve seen very little from this year; here’s hoping there will be more to see, sooner rather than later.

Chronicle of Anna Magdalena Bach
Pre-1970s cinema awaits! It might be observed that the distinction between a movie buff and a cinephile is that movie buffs know all about the movies made in their home country between their childhood and the present day, whereas cinephiles love everything and are especially interested in the more remote frontiers of cinema, historically and globally. I want to be the latter, so I’ll keep on turning my head like the Distracted Boyfriend as I think about more kinds of movies that I need to see but haven’t yet. A reverse-chronological journey through the movies I own will probably be completed by this time next year, although I also still get two Netflix DVDs every month, and I’m still subscribed to MUBI, which just added a “Library” feature allowing me to see even more than the usual 30 movies they offer, and my hometown library has Kanopy now, and the Criterion Channel has a lot of cool stuff, so I might want to sign up for that, and…and…and…

Secret Sunshine
Here’s the class of 2020: my favorite movies that I saw for the first time since last June.
4 Months, 3 Weeks and 2 Days | Cristian Mungiu | 2007 |
Ad Astra | James Gray | 2019 |
American Factory | Steven Bognar & Julia Reichert | 2019 |
American Splendor | Shari Springer Berman & Robert Pulcini | 2003 |
Another Year | Mike Leigh | 2010 |
Apollo 11 | Todd Douglas Miller | 2019 |
Aquarius | Kleber Mendonça Filho | 2016 |
Ash Is Purest White | Jia Zhangke | 2018 |
Bad Black | Nabwana I.G.G. | 2016 |
Batman Beyond: Return of the Joker | Curt Geda | 2000 |
The Beach Bum | Harmony Korine | 2019 |
The Beaches of Agnès | Agnès Varda | 2008 |
A Beautiful Day in the Neighborhood | Marielle Heller | 2019 |
The Bling Ring | Sofia Coppola | 2013 |
Boiling Point | Takeshi Kitano | 1990 |
Booksmart | Olivia Wilde | 2019 |
Carlito’s Way | Brian De Palma | 1993 |
Casa de Lava | Pedro Costa | 1994 |
Chronicle of Anna Magdalena Bach | Jean-Marie Straub & Danièle Huillet | 1968 |
Coco | Lee Unkrich | 2017 |
The Cow | Dariush Mehrjui | 1969 |
Crazy World | Nabwana I.G.G. | 2019 |
The Day He Arrives | Hong Sang-soo | 2011 |
Day Night Day Night | Julia Loktev | 2006 |
Dear White People | Justin Simien | 2014 |
Dil Dhadakne Do | Zoya Akhtar | 2015 |
Dil Se.. | Mani Ratnam | 1998 |
Dusty Stacks of Mom: The Poster Project | Jodie Mack | 2013 |
Elle | Paul Verhoeven | 2016 |
L’Enfer | Claude Chabrol | 1994 |
Eve’s Bayou | Kasi Lemmons | 1997 |
Femme Fatale | Brian De Palma | 2002 |
Film socialisme | Jean-Luc Godard | 2010 |
Fireworks | Takeshi Kitano | 1997 |
First Love | Takashi Miike | 2019 |
The Fits | Anna Rose Holmer | 2015 |
For Sama | Waad al-Kateab & Edward Watts | 2019 |
Fourteen | Dan Sallitt | 2019 |
The Future | Miranda July | 2011 |
Girl Walk // All Day | Jacob Krupnick | 2011 |
The Grand Bizarre | Jodie Mack | 2018 |
The Green Fog | Guy Maddin, Evan Johnson & Galen Johnson | 2017 |
Haider | Vishal Bhardwaj | 2014 |
Hamlet Goes Business | Aki Kaurismäki | 1987 |
A Hidden Life | Terrence Malick | 2019 |
The Hole | Tsai Ming-liang | 1998 |
Homecoming | Beyoncé Knowles-Carter | 2019 |
House of Pleasures | Bertrand Bonello | 2011 |
The Hunters | Theo Angelopoulos | 1977 |
If Beale Street Could Talk | Barry Jenkins | 2018 |
Intikam Melegi – Kadin Hamlet | Metin Erksan | 1977 |
The Irishman: I Heard You Paint Houses | Martin Scorsese | 2019 |
John Wick: Chapter 2 | Chad Stahelski | 2017 |
John Wick: Chapter 3 – Parabellum | Chad Stahelski | 2019 |
Juliet of the Spirits | Federico Fellini | 1965 |
Knives Out | Rian Johnson | 2019 |
Let the Bullets Fly | Jiang Wen | 2010 |
The Limey | Steven Soderbergh | 1999 |
Little Women | Gillian Armstrong | 1994 |
Little Women | Greta Gerwig | 2019 |
The Loneliest Planet | Julia Loktev | 2011 |
Los Angeles Plays Itself | Thom Andersen | 2003 |
Ludwig van | Mauricio Kagel | 1970 |
The Mill & the Cross | Lech Majewski | 2011 |
The Missing Picture | Rithy Panh | 2013 |
Mouchette | Robert Bresson | 1967 |
Mur Murs | Agnès Varda | 1981 |
Mutual Appreciation | Andrew Bujalski | 2005 |
The Odyssey | Vincent Haycock | 2016 |
Offside | Jafar Panahi | 2006 |
Once Upon a Time… in Hollywood | Quentin Tarantino | 2019 |
Only Lovers Left Alive | Jim Jarmusch | 2013 |
Opera | Dario Argento | 1987 |
The Other Side of the Wind | Orson Welles | 2018 |
Parasite | Bong Joon-ho | 2019 |
Paris Is Us | Elisabeth Vogler | 2019 |
Police Story | Jackie Chan | 1985 |
Portrait of a Lady on Fire | Céline Sciamma | 2019 |
The Return | Andrey Zvyagintsev | 2003 |
The River | Tsai Ming-liang | 1997 |
Sawdust and Tinsel | Ingmar Bergman | 1953 |
Scott Pilgrim vs. the World | Edgar Wright | 2010 |
Secret Sunshine | Lee Chang-dong | 2007 |
Sholay | Ramesh Sippy | 1975 |
Shutter Island | Martin Scorsese | 2010 |
The Spirit of the Beehive | Víctor Erice | 1973 |
The Suspended Step of the Stork | Theo Angelopoulos | 1991 |
Sword of Trust | Lynn Shelton | 2019 |
The Testament of Dr. Mabuse | Fritz Lang | 1933 |
Testament of Orpheus | Jean Cocteau | 1960 |
Through the Olive Trees | Abbas Kiarostami | 1994 |
Time Regained | Raúl Ruiz | 1999 |
Toy Story 4 | Josh Cooley | 2019 |
The Travelling Players | Theo Angelopoulos | 1975 |
Uncut Gems | Josh Safdie & Benny Safdie | 2019 |
Venus in Fur | Roman Polanski | 2013 |
Visage | Tsai Ming-liang | 2009 |
Vitalina Varela | Pedro Costa | 2019 |
We Need to Talk About Kevin | Lynne Ramsay | 2011 |
When Evening Falls on Bucharest, or: Metabolism | Corneliu Porumboiu | 2013 |
The World of Jacques Demy | Agnès Varda | 1995 |
You Ain’t Seen Nothin’ Yet | Alain Resnais | 2012 |
Young Ahmed | Jean-Pierre Dardenne & Luc Dardenne | 2019 |
Zombi Child | Bertrand Bonello | 2019 |
And this is how my personal top ten shakes out:
10. Carlito’s Way |
9. Dil Se.. |
8. The Limey |
7. The Loneliest Planet |
6. A Hidden Life |
5. Portrait of a Lady on Fire |
4. Little Women (1994) |
3. Parasite |
2. 4 Months, 3 Weeks and 2 Days |
1. The Hole |
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