Eleventh Hour, Year Zero: My 10 Favorite Italian Neorealist Movies
The question of how to define a neorealist film, much on my mind for the first five months of this year, received unexpected clarification just under two weeks ago. For […]
The question of how to define a neorealist film, much on my mind for the first five months of this year, received unexpected clarification just under two weeks ago. For […]
The more I’ve read about the movement — or oeuvre — or feeling, labeled “Italian neorealism,” particularly in recent months, the less of a grasp I feel I have on […]
As soothing as “separating the art from the artist” can be, sometimes the more useful course is to dive right into an artist’s output in the context of the allegations […]
The unique power of storytelling is found in its telescopic ability to focus on small, specific things, and in so doing to make comments on larger topics. Part of the […]
The Introduction I read Gustave Flaubert’s novel Madame Bovary in high school as an elective. As a matter of fact, I gave a report on it. The transcript is probably among […]
“Beginnings are always difficult.” So says Herbert Marshall in the first scene of Trouble in Paradise (Lubitsch, 1932). Endings can be extremely difficult to do well, but they’re easier to envision […]
Five years ago, the consensus on The Social Network was that it wasn’t so much about Facebook specifically as it was an update on the age-old concepts of genius, entrepreneurship, and […]
During the halcyon days of the talkie revolution, Hollywood studios took to producing non-English remakes of their films to export to foreign markets. Subtitles and dubbing soon proved to be […]
The Introduction Bless me, Father, for I have sinned. It happened five and a half years ago — the one and only time I sneaked into a movie theater. I […]
Here are two films about World War II that approach the conflict from unusual vantage points. No Normandy, no Pearl Harbor, no Iwo Jima (neither movie is about America, after […]